Stanislavski Studies
Stanislavski Studies: Practice Legacy and Contemporary Theater .
The journal, published twice a year, in May and November, is a peer-reviewed publication with an international scope, focusing not only on Stanislavski's work as an actor, director and teacher, but more broadly on his influence and legacy which can be seen in the work of many of the theatre's most influential figures.
We aim to be accessible to both the academic reader and the practitioner by collecting together some of the best contemporary scholarship, translations and information about major research resources. We provide a forum for the analysis and discussion of the history, legacy and application of Stanislavski's theories and we publish articles that investigate, take issue with and consider the applications of his theories to the contemporary theatre.
We are committed to the support of all forms of scholarship and our interest in practice-research is embodied in our link with the international research project, The S Word. Papers and other material generated by this project are published in alternate editions of the journal.
Authors who wish to submit an article or proposal, or discuss an idea for a future submission, should contact Stefan Aquilina ([email protected]).
Please visit the journal's webpage: https://www.tandfonline.com/loi/rfst20.
Editor in Chief: Stefan Aquilina, University of Malta
Editors
Luis Campos, Rose Bruford College of Theatre and Performance
Sergei Tcherkasski, The Russian State Institute of Performing Arts, Russia
Alisa B Lin, The Ohio State University, USA
Consultant Editor
Paul Fryer, The Stanislavski Research Centre, UK
Associate Editors
Michaela Antoniou, National and Kapodistrian University, Athens, Greece
Julian Jones, Rose Bruford College of Theatre and Performance, UK
Gerald “Jay” Paul Skelton, Royal Central School of Speech and Drama, UK
Reviews Editor
Benjamin Askew, Manchester Metropolitan University, UK
Media Editor
Joelle Ré Arp-Dunham, Radford University, USA

